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Auditions

Main Stage

Note: this production is being produced exactly 100 years to the date of the sinking of the Titanic. Out second performance, Sat, April 14, 2012 at 8:20pm Pacific Time, marks the 100th anniversary of this maritime disaster. Le Cordon Bleu Cooking Academy and DMTC will be recreating the last meal served on the Titanic as a Fund-raiser for DMTC and the Ronald McDonald house.

  • Audition dates: Sunday, Feb 26, 2012 or Monday, Feb 27, 2012 at 7:30 p.m.

  • Callbacks:  Tuesday, Feb 28, 2011 at 7:30 p.m.
  • Directed by Steve Isaacson
  • Musical Directed by Steve Isaacson & Jonathan Rothman
  • Choreographed by Jacob Montoya
  • At the DMTC Performing Arts Center, 607 Pena Drive

Authors

Story and Book by Peter Stone
Music and Lyrics by Maury Yeston
Produced on Broadway by Dodger Theatricals, Richard S. Pechter and The John F. Kennedy Center for the Performing Arts

 

Character Descriptions (all roles open)

 

Thomas Andrews, was in charge of the plans for Titanic at Harland & Wolff Shipbuilders. He sailed to observe how well she did on her maiden voyage, constantly noting problems and ways to further perfect her functioning and comfort for passengers and crew alike. Strong yet quiet, and full of integrity, he is the moral compass and intellectual barometer of the show. Sings multiple solos, including the gut-wrenching climactic Andrews’ Vision as the ship sinks onstage.

J. Bruce Ismay, was chairman and owner of the White Star Line. Savaged by the press for escaping in a lifeboat when so many others perished, it’s hard to know how much of the blame he actually deserved but he plays the role of misguided villain in the show. High-brow, aloof, easily frustrated when disregarded, carries the burden and anxiety that goes with leadership. Featured singer in several songs including The Blame.

Captain Edward J. Smith, 62, was lured out of an intended retirement to take command of one last maiden voyage. Unfortunately it was his last, as he went down with the ship. A fatherly figure with white hair and beard, he commands with deep care for his passengers and encouragement toward his younger officers. Featured singer in several songs including The Blame. Must speak proper British.

Frederick Barrett , he is strappingly strong, keenly intelligent, and capable. He questions the motivations of the powers-that-be to speed up, struggles with the monotony of his occupation, and takes the giant step of sending a marriage proposal back to his girl on shore via the newfangled wireless. When the ship sinks he gives up a place steering one of the lifeboats, and sings a powerful goodbye to his lost love (one of several solos he carries, including Barrett’s Song.) Tenor (A2-G4) • Stage age 20s-early 30s • East Midlands accent (similar to Yorkshire) •

Harold Bride, was one of two wireless operators on the Titanic who received ice warnings and relayed the SOS call.. A shy and socially awkward young man. Sings several solos including The Night Was Alive. Baritone (C3-G4) • Stage age 20s-early 30s • British

Kate McGowen: Kate is escaping a big mistake made in Ireland by boarding the Titanic for America. Single, she is pregnant (although not yet showing) with the child of a married man. Not one to expend much energy on shame or despair, she is simply driven: this is a predicament she must solve – she needs a husband, and fast! She spots Jim Farrell at the dock and manages to secure an engagement in less than 4 days – a testament to her charm, her positive spirit, and her forthright, assertive approach! Kate is an indomitable spirit who knows what she wants and how to get it. She sings the lead in Ladies’ Maid and has several other solo sections. Requires a powerful actress who can command our attention whether cheerful, distressed, or quietly introspective. • Strong Irish accent

Kate Mullins, a young Irish traveling on the Titanic to a new life in America where she intended to live and become a maid. In the show she is the most frightened of the Kates, overwhelmed by the scope of everything she sees, and grateful for the comfort and care of her traveling companions. She sings solos in Ladies’ Maid, and several other moments.  Strong Irish accent

Jim Farrell, is the love interest of Kate McGowen, and can’t help but be amused by (and eventually fall for) this confident and self-assured beauty. He has a pleasant boyish charm of his own that turns manly when circumstances demand it. He solos in the trapped-in-stairwell scene/song and the Act 1 Finale. Strong Irish accent

Edgar Beane is goodhearted, often exasperated, has a dry wit, and is not worried about impressing anyone

Alice Beane is a tricky role: comedy wrapped in truth. It requires an actress who can make us laugh by revealing the depths of Alice’s heart, rather than by playing her for comedy. She is like a child playing dress-up; the reality seems absurd but the fantasy is earnest. Also her litany of 1st class gossip in the opening number is a singer’s challenge.

Isador Straus, owned Macy’s Department Store. Older, must sing with Ida, the incredibly moving song at the end of the show

Ida Straus, Isador’s wife, older, must sing.

Herbert Pitman, 3rd Officer, served faithfully aboard the Titanic, helped uncover the lifeboats. In the show he has the lion’s share of the solos in the opening number (loading the ship with cargo and introducing passengers) and also doubles as The Major in 1st class and as a 3rd class passenger. Because of tripling, this actor must be a chameleon, able to differentiate distinct character types. He will be most featured as the Major.

Joseph Boxhall, 4th Officer, served on the White Star Line’s Oceanic & Arabic before Titanic. As a junior officer he aids in navigation, keeps watch, and assists passengers and crew as needed. High energy and distinct characterizations required for this triple-cast role!

Robert Hichens, Quartermaster, was responsible for steering the ship, and carrying out the helm orders. He was at the wheel on that fateful night and obeyed the famous order “hard a’ starboard” which is the dramatic final tableau in Act 1. It is said that the next 37 seconds ruined his life

Henry Etches, Senior Steward, was an experienced steward to first class passengers (something like a butler) who had served many of the same glitterati on the Olympic before reestablishing care for them aboard the Titanic. He sings the lead in Remarkable Age and has several scenes that underscore the smooth discretion he must exhibit, and the great pride he takes in his work, always remembering the likes, dislikes, and needs of his “people.” Some might call him stuffy, but he just really cares. His work is a vocation rather than a job, one that he continues even in the face of death. His scene with the Strausses at show’s end is incredibly moving. 

Stewardess Maud Slocombe, serves under Mr. Etches, attending to 1st class

Stewardess Alice Pritchard, serves under Mr. Etches, attending to 1st

Stewardess Anna Robinson, serves under Mr. Etches, attending to 1st class

Stewardess Bessie Lavington, serves under Mr. Etches, attending to 1st class, and also serves as nanny to several children in Latest Rag

Bellboy, (preferably a girl who looks young and can pass as a boy) takes care of passenger needs, announces meals, and generally helps out the other serving staff.

Wallace Hartley, Roger Marie Bricoux  & Percy Cornelius Taylor  make up the band, with Hartley as leader. This will be cast out of the ensemble.

Colonel John Jacob Astor IV,  Stage age late 30s-early.

Madeleine Astor, (late teens) His much younger pregnant wife.

Benjamin Guggenheim, 46, American mining and smelting tycoon, was a regular cross-Atlantic traveler, with a home (and mistress) in Paris. The mistress, Mme. Aubart, accompanied him on the Titanic

Charlotte Drake Cardeza, 58, booked Titanic’s most expensive suite, and traveled with 14 trunks full of designer clothes, jewels, and 91 pairs of gloves, yet possessed an indomitable free spirit that is belied by those seemingly superficial trappings. A big game hunter, a yachtswoman who circumnavigated the world twice, a patron of the arts, and an independent woman who divorced her husband when she learned of his infidelity, Charlotte didn’t let anything stop her! Actress must be able to captivate a room with her infectious good spirits and joyful approach to life, while remaining classy and graceful

3rd class children 2-4 children ages will be cast as 3rd class children. We are not specifying genders – casting will be based on expressiveness in the audition and the fit with adults who are Children will double as first class children in The Latest Rag and perform as 3rd class in the rest of the show. Note, children’s characters will perish in the show so it’s important that families are ready to deal with that kind of material, and the fears or questions it might raise.

 

Plot Synopsis

TITANIC begins -Prologue as Thomas Andrews, the architect of the great ship, pores over the blueprints of his design -In Every Age. The curtain then rises to reveal the Ocean Dock in Southampton, England, where people are gathering to wonder at and to board the ship on sailing day: first a stoker - How Did They Build Titanic?, then additional crewmen -There She Is, officers and stevedores -Loading Inventory, the owner, the architect and the captain -The Largest Moving Object, the Third and Second Class passengers -I Must Get On That Ship, and finally the First Class passengers -The 1st Class Roster. Now fully boarded, the ship pulls out as the company sings a prayerful farewell -Godspeed Titanic. 
 

One by one, the dreams and aspirations of key characters are presented: Barrett, the stoker who wanted to get away from the coal mines -Barrett's Song; Murdoch, the ship's officer contemplating the responsibility of command -To Be a Captain; Kate McGowan and the Third Class passengers who yearn for a better life in America -Lady's Maid; Chief Steward Etches and the millionaires he serves who exult in the wonders of their world -What a Remarkable Age This Is! 
 

Barrett finds his way to the Telegraph Room where he dictates a proposal of marriage to his sweetheart back home -The Proposal in a telegram transmitted by Harold Bride, a young telegraph operator smitten with the possibilities of the new radio technology -The Night Was Alive. 
 

The next day, April 14, after Sunday morning church service, the First Class attends the shipboard band's spirited out-of-doors dance-concert -Hymn/Doing the Latest Rag, an exclusive event crashed by Second Class passenger Alice Beane, a hardware store owner's wife who wants more out of life -I Have Danced. That evening, as Fleet the lookout scans the horizon -No Moon and bandsman Hartley regales the First Class Smoking Room with a new song -Autumn, the ship sails inexorably towards her collision, which ends Act One. 
 

Act Two opens as the suddenly awakened First and Second Class passengers are assembled in the Grand Salon -Dressed In Your Pyjamas In The Grand Salon for life-belt instruction by Chief Steward Etches, before being sent up to the Boat Deck to board the lifeboats. In the Telegraph Room, Captain Smith, Mr. Andrews and Mr. Ismay, the owner, argue over who is responsible for the disaster -The Blame while Mr. Bride tirelessly sends out the S.O.S. Up on the Boat Deck, the male passengers are separated from their families -To the Lifeboats, and all express hopes of being reunited -We'll Meet Tomorrow as the final boat is lowered. Isidor Straus (the owner of Macy's) and his wife Ida remain behind together, as she refuses to leave his side after 40 years of marriage -Still and Mr. Etches utters a prayer -To Be a Captain (reprise). In the abandoned Smoking Room, Thomas Andrews desperately redesigns his ship to correct its fatal flaws until the futility of his actions leads him to predict, in horrifying detail, the end of TITANIC just as she begins her now-inevitable descent -Mr. Andrews' Vision. 
 

In an Epilogue, the survivors picked up by the CARPATHIA numbly retell what had once been Mr. Andrews' dream -In Every Age (reprise). The living are joined by their lost loved-ones in a tableau recapturing the optimistic spirit of the Ocean Dock on sailing day -Finale.
 

Performances

  • April 13-May 6, 2012; Fri & Sat at 8:15 p.m. and Sun at 2:15 p.m.


Auditioning for Main Stage or YPT productions

  • Auditions are held at The DMTC Performing Arts Center, 607 Pena Drive. In Davis, drive East on Fifth Street, past the Post Office, past the new Police Department, and turn Right on Pena, which has a traffic signal. 607 Pena is on the right, midway down the block.
  • All roles are open. We do not pre-cast.
  • Please bring sheet music for a song you have already learned.
    • Do not use a song from the show.
    • Do not sing to taped music or sing a cappella.
  • DMTC will provide a piano player at auditions to accompany you.
  • You do not have to sing an entire song. We only want to get an idea of how well you can carry a tune and follow accompaniment. Sixteen to 32 measures should be sufficient. If you are "called back" for a principal role on callback night, we will ask you to sing some more.
  • Bring comfortable shoes in case you are asked to dance. We do not expect you to be an expert dancer unless, of course, you are trying out for a dancing role.

Ensemble: Yes or No?